EQUIPMENT LIST

(* Please ask for a quote for any particular equipment package. Also if I dont have it here I can probably hire it elsewhere to include in the package, from cameras to anything else).

CAMERAS:

Panasonic Varicam LT Super 35mm EF and PL mount 4k (4096 x 2160) digital cinema camera

The Panasonic Varicam LT Super 35mm 4K camera is a great Drama, TVC, Corporate and Documentary camera. It's biggest asset in my opinion is the dual native ISO of 800 and 5000. It's colour science produces subtle, realistic colours and natural skin tones. It has the famed Varicam look and heritage after all. It has native mounts for both PL and more affordable EF lenses too. Single or Dual Link 4K RAW output so you can record Pro Res RAW to an external recorder like the Atomos Shogun Inferno. Professional audio, timecode, codecs and form factor. This is my flagship camera in the fleet. Pick the right camera for the right job.

Panasonic EVA-1 Super 35mm EF mount 5.7k (4096 x 2160) digital cinema camera

The Panasonic EVA-1 5.7K Super 35mm camera is a great Drama, TVC, Corporate and Documentary camera. It matches my Varicam LT well in multicam shoots especially when shooting V-Log on both cameras. It has a dual native ISO of 800 and 2500. The sensor is 5.7K for a true 4K capture rendering really sharp images. It's colour science produces subtle, realistic colours and natural skin tones matching the other Varicam cameras. It has a native EF mount. Single Link 6G 4K RAW output allows you to record to Pro Res RAW on external recorders like the Atomos Shogun Inferno or Sumo 19. Professional audio, timecode, codecs and form factor. This is sometimes my A camera depending on the job and I love that I can build it up or strip it down as required for a lightweight alternative to shooting with the Varicam LT. In multicam shoots it's a perfect B camera. Pick the right camera for the right job.

Panasonic HPX3100G B4 mount P2 HD camcorder

The Panasonic HPX3100 P2 HD camera is still the right choice for a variety of jobs. Nothing beats this form factor for run/gun and corporate long lens shooting. Also good for recording all day continuously with no recording limit or overheating issues. Paired with a ENG B4 zoom lens with zoom demand you can do those smooth on air follows and zooms. Great 10bit 4:2:2 100Mbps AVCIntra 100 codecs and 10bit 4:2:0 50Mbps codec recording for longer record times (all internal). All file based workflow. I have been P2 since 2008 and never looked back. No expensive tape decks or disk readers required. Low maintenance. No moving parts like tape/disk transports. Professional audio, timecode, codecs and form factor. Still used today and compliments my many arsenal of cameras. Pick the right camera for the right job.

1 x Panasonic GH5 Micro 4/3 mount

2 x Panasonic GH5s Micro 4/3 mount

The Panasonic GH5 & GH5s Micro Four Thirds mirrorless cameras are a great Corporate/Web, News Magazine and Documentary camera. It matches my Varicam LT and EVA-1 well in multicam shoots especially when shooting V-Log and V-Log Lite on all cameras. The GH5s has a dual native ISO of 800 and 5000 in Low and High modes. It shoots in HD and 4K (UHD and DCI) in 50Hz, 60Hz and Cinema 24P. It has a native Micro Four Thirds mount. I use the Panasonic Lumix zoom lenses with both cameras. I also have a Metabones adaptor so I can use my L-series EF glass as well. Professional microphones including 48V phantom powered ones can be used with the XLR block which fits onto the hotshot. This allows up to 2 x XLR Line/Mic/48V inputs with attenuation hard switches and manual level controls. The GH5s has timecode input via the flash connector and supplied BNC male adaptor cable. Both cameras have a variety of All-I and Long GOP 10bit 4:2:2 codecs. I love travelling overseas with both these cameras when I don't want to worry about the hassles of travelling with bigger heavier camera kits. Not to mention the customs issues with bigger more expensive kit. In multicam shoots with my Varicam LT and EVA-1 it's a perfect C and D camera. Pick the right camera for the right job.

2 x Panasonic BGH1

1 x Panasonic GH6

1 x Sony FX6

LENSES:

Fujinon 17 x HD Zoom with Doubler

Canon 20 x SD Broadcast Zoom with Doubler

Canon 5.5mm SD Broadcast Zoom with Doubler

Canon 16mm-35mm L-series zoom

Canon 24mm-105mm L-series zoom with stabilizer

Canon 70mm-300mm L-series zoom with stabilizer

2 x Doubler for L-series lenses

Samyang/Rokinon Cine Lenses EF mount 14mm, 24mm, 35mm, 50mm, 85mm, 100mm Macro & 135mm

Tokina EF 11-16mm zoom

Panasonic Lumix Micro 4/3rds 7-14mm HD zoom

Panasonic Lumix Micro 4/3rds 10-25mm HD zoom

2 x Panasonic Lumix Micro 4/3rds 12-35mm HD zoom

Panasonic Lumix Micro 4/3rds 25-50mm HD zoom

Panasonic Lumix Micro 4/3rds 35-100mm HD zoom

Panasonic Lumix Micro 4/3rds 100-400mm HD zoom

Metabones EF to E-mount lens adaptor

Sony Full Frame 24mm-240mm E-mount zoom lens


FILTERS:

Polarizers, ND's, ND Grads in 5.65" x 5.65" & 4 x 5.65" Vertical and Horizontal.

Classic Soft and Black Pro Mist

Polarizers, ND's screw in for Canon 5D lenses.

 

MATTEBOX:

Vocas MB-450

Vocas MFC-1 Follow Focus

Shape 4 X 5.6 Carbon Fiber Swing-Away Matte Box 15mm LW

Tilta Mini Matte Box Clamp On.

 

TRIPODS:

Sachtler Cine 30 HD 150mm tripod

Sachtler 150mm bowl High Hat

Sachtler Flowtech 75mm tripod

Miller Arrow 30 100mm head with sprinter carbon fibre legs (2 stage)

Miller Solo legs

Manfrotto 503 Pro Fluid Video Head with MDEVE Tripod Carbon Fibre

Manfrotto Low legs 100mm bowl

Cinesadle


EXTERNAL RECORDERS:

Shogun Inferno 4K recorder

Shogun Flame 4K recorder

2 x Ninja V 4K Recorder

2 x Sound Devices PIX240

Panasonic AG-HMR10E and AG-HCK10G POV camera



MONITORS:

Panasonic BT-LH80WU 7.9" LCD field monitor

Atomos Sumo 19” field monitor/recorder

 

GRIP:

Easyrig 2.5 (500n springs, up to 12kg payload).

4 C-stands

2 x 4x2 Floppies

1 x Autopole long

1 x Autopole short

10 x 12kg Shot Bags

4 x Magic Arms

4 x Superclamps

Various Blacks of Various sizes

Various Manfrotto Lighting Stands

 
LIGHTING:

1 x Prolycht Orion 300 FS COB light and accessories.

1 X Dedo Octodome 1k (5ft diameter) with dimmer.

2 x Blondies

2 x Redheads

2 x Filmgear 1k Fresnels

1 x Arri 1k Fresnel

2 x Arri 650W Fresnels

3 x Arri 300W Fresnels

2 x Dedolights (150W) with External Dimmers

1 x 1ft x 1ft Daylight LED light (Vlock)

1 x 1ft x 1ft Bi-Colour LED light (Vlock)

1 x Cineroid LM 400 Daylight LED light

1 x Cineroid FL 800s Bi-Colour LED light with modifier/softbox

2 x Cineroid FL 400s Bi-Colour LED lights with Light Wrangler modifier/softbox

3 x Small handheld Daylight LED lights (Sony L Series & AA  Batteries)

1 x Small handheld Bi-Colour LED light (Sony L Series & AA  Batteries)

 

List is incomplete. To be continued...